Uncover the movie that introduced collectively two of horror’s biggest stars
Central to Edgar G Ulmer’s The Dusky Cat is a condominium constructed over an historical graveyard. It’s a traditional gothic predicament-up, however the dwelling, faraway from conforming to the standard stones, firebrands and cobwebs of Common Images’ fortress horror, is a cutting-edge work modernist edifice, personalized-designed by its proprietor, the smartly-known Austrian engineer and architect Hjalmar Poelzig (Boris Karloff, billed merely as KARLOFF).
For it is all panels and glass, metal and electrical lighting, minimalism and curves, later described by one customer as “a ample, cosy, unpretentious insane asylum”. If the dwelling’s bellow, discontinuance to the shrimp metropolis of Videgrád in Hungary, comes with a prolonged, gathered historical past of dying, Poelzig himself has contributed to it. For over a decade and a half in the past, in path of the cease of World Battle One, he had betrayed the place, which was once then under his militia signify, to the Russians, thus guaranteeing that the amount of locals buried there was once elevated by tens of hundreds.
One in all Poelzig’s surviving victims, the psychiatrist Dr Vitus Werdegast (Béla Lugosi), has spent the final 15 years in a Siberian penal complicated camp, and is now returning to hunt for his lengthy-lost spouse and daughter, and presumably some revenge too. On his method by educate to Poelzig’s dwelling, he shares a compartment with newlyweds Peter and Joan Alison (David Manners, Julie Bishop), an American couple honeymooning in Hungary.
Peter is a shrimp bit cautious of Werdegast – presumably it is the best way during which he catches the physician secretly stroking Joan’s hair whereas she sleeps, after which telling of his prolonged stint in jail – however nonetheless the three sure collectively, together with Werdegast’s manservant Thamal (Harry Cording), inside the the identical shrimp bus, and when there may be an wretched accident in a rainstorm, all of them cease up at Poelzig’s pad. As Werdegast and his “ragged buddy” Poelzig private in a battle of wits to resolve some ragged scores, the Alisons safe themselves trapped on the sidelines, with their very lives at stake.
The Dusky Cat was once the principal of six Common movement images to narrate collectively two of the manufacturing dwelling’s most iconic horror actors: Karloff, who carried out the Monster in James Whale’s Frankenstein, and Lugosi, who had the title attribute in Tod Browning’s Dracula. Proper this is a conflict of the vogue’s heavyweights – as monumental in its possess method as Godzilla vs King Kong. And when Poelzig suggests to Werdegast that they are love “the dwelling silly”, the define simply is not with out a advantageous refined type of self-consciousness, inevitably evoking each actors’ most smartly-known roles as, respectively, undead vampire and resurrected corpse.
Actually, Ulmer’s movie is plump of self-conscious nods and winks to the viewers. “Of what spend are these melodramatic gestures?” Poelzig will ask, almost defining (and questioning) the very mode of the movie during which he is displaying. And later, after a bellow that gives a heady, not totally coherent mixture of ailurophobia, mummification, uxoricide, Satanic adore, human sacrifice, a are dwelling skinning and an early occasion of clueless comedy cops (Henry Armetta, Albert Conti), the creator Peter, who’s a thriller novelist, reads out a newspaper evaluation of his most fashionable potboiler which additionally serves, reflexively, as a critique of The Dusky Cat itself:
“Mr Alison has, in a vogue, overstepped the bounds inside the matter of credibility. This stuff might seemingly seemingly nicely by no methodology by the furthest stretch of the creativeness in fact occur. We might seemingly seemingly nicely want that Mr Alison would confine himself to the conceivable as an completely different of letting his melodramatic creativeness bustle away with him.”
The screenwriter Peter Ruric, higher recognized by the pseudonym Paul Cain under which he wrote novels, was once himself, love the character inside the movie who shares his forename, an creator of pulp fiction – and these traces knowingly pre-empt criticism of the unbelievable yarn in his possess script.
The title of The Dusky Cat is taken from an 1843 quick story by Edgar Allen Poe, however love the other two Poe ‘diversifications’ during which Lugosi would smartly-known individual for Common (Murders inside the Rue Morgue, 1932; The Raven, 1935), and certainly love the later movie also called The Dusky Cat during which he would seem in 1941, Ulmer’s movie has easiest the flimsiest connection to its supply space fabric. Werdegast might seemingly seemingly nicely piece with Poe’s protagonist a pathological apprehension of cats (even if he is not any alcoholic), and Poelzig might seemingly seemingly nicely wait on his silly spouse inside the basement (even if perversely preserved in a masks cabinet alongside different silly females, fairly than buried inside the relieve of bricks).
However in one other case, Ruric has taken Poe’s silly textual content as his identical outdated basis, and constructed upon it “a in reality not simple dwelling” that includes all his possess wild conceits. Admire the potpourri of arbitrary, totally innocuous Latin phrases (“with a grain of salt”, “to err is human”, “bear in mind to protect a clear head in not simple situations”) that the po-confronted Poelzig stitches collectively, Frankenstein-love, in his solemn rites to summon Lucifer, The Dusky Cat is a wittily self-ironising affair, mixing and matching its incongruous facets to plot one factor utterly Poe-stmodern.
The Dusky Cat is available inside the Blu-ray predicament Three Edgar Allan Poe Variations Starring Bela Lugosi, as half of Eureka!’s The Masters of Cinema Assortment, from 12 April.
Revealed 5 Apr 2021
Tags: Bela Lugosi Boris Karloff Edgar Allen Poe Edgar G Ulmer The Dusky Cat Common Monster